Yes, this is Bill's actual license plate
Mumford

Breaking Glass Transition

Click to view movie

This unusual effect combined a black & white shot of a mirror breaking, with a color shot behind.

Mirror Reflection Replacement

Click to view movie

The director (Kasdan) wanted to replace the reflection of the cheerleader in this scene.

Camera removal (Medium Shot)

Click to view movie

Camera removal (Close up)

Click to view movie

This shot originally had a reflection of the cameraman. The reflection was replaced, and motion tracked to match the handheld shot.

This is a close-up of the same action. The director (Kasdan) wanted the reflection flipped because he thought the actor looked better that way

Sea of Televisions

Click to view movie

The script called for Mumford to look out his window and see the entire town watching the same TV show. Hundreds of TVs were placed in the background plate, and the camera move was added.

Click to view animation

(A)

Virtual Woman

Click to view animation

(B)

Click to view animation

(C)

Mumford’s patient Skip tries to create the perfect “virtual” woman. These three sequences appear on computer screens in Skip’s lab. The director (Kasdan) wanted the sequences to look “computery,” but still maintain lifelike movement. This goal was accomplished using state of the art Optical Motion Capture

Mocap Session

Click to view movie

Body

Click to view movie

Face

The acting talents of Maria Hall Brown were used to provide the movement and speech of the “Virtual Woman.” Here is video from the actual motion capture session.